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DAVID CARR-SMITH - IMPROVISATION / DESIGN / ART / KITSCH / CHANCE
VERNACULAR PRAGMATISM - VILLAGES
LONGAS / ASSO VERAL / ETC
... in process
AN ARTIST'S PUBLIC-SITE INSTALLATION WORKS
MPROVISED ARCHITECTURE IN AMSTERDAM INDUSTRIAL SQUATS & COLLECTIVESIMPROVISED OPEN-SITE: ("THE NOMADIC COMMUNITY GARDEN")
IMPROVISED VILLAGES: (WANDSWORTH & KEW BRIDGE 'ECO VILLAGES')
ALLOTMENT IMPROVISATIONS - PUBLIC, LEGAL, SOCIALLY INDORSED
TEMPORARY-ARCHITECTURE: ("FRANK'S CAFE" & "SOUTHWARK LIDO")
VERNACULAR - PRAGMATISM & STYLE: (BERDUN VILLAGE BARNS & HOUSES)
"HOME"
- MY LOCATION VIA MASS-PRODUCTS & TASTE - LIV-RM
"HOME"
- MY LOCATION VIA MASS-PRODUCTS & TASTE - HOUSE
"HOME" - MY LOCATION VIA PERSONAL CHOICES
ART - GOTHIC INTO RENAISSANCE INTO EARLY 20thC
ART
- 20thC COLLAGE INTO MASS-MEDIA
GRAFFITI
INTO STREET-ART
KITSCH
CHANCE & DESIGN
.
< Return to: VERNACULAR PRAGMATISM - p1: BERDUN
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VERNACULAR
PRAGMATISM - p2: VILLAGES ... in process
.
VERNACULAR VILLAGES, PROVINCE OF HUESCA, ARAGON VALLEY, SPAIN ... in process
The Vernacular is without style and without art. Its products are the result of methods developed in relation to the most plentiful and useful local materials. Its products are entirely practical - even its apparent embellishments: the white-painted surrounds of wall-openings, are mentally practical, assumed to prevent the entry of spirits. What might be called the 'style of this architecture' is simply a communality//similarity of (locally gleaned) materials and (inherited) techniques of constructing them. Style, in the sense of a meaningful collective mnemonic language of status, derived from taste and wealth, expressed and disseminated via architecture - is, simply in the absence of education or knowledge from outside the local practical culture, hardly present, because not locally known or encountered. The only examples of style in these villages are certain door surrounds and doors - often bearing the arms of the local lord, and presumably designating###ownership by 'him'. Even these do not obviously ignore or flout the local pragmatism, either in their language of status (a display of the expense of precise skill in shaping and erecting excessively large stones) or in their aesthetic aims: a display of beauty intentionally expressed ... beyond necessity indeed, but limited to exquisite refinements and amplifications of the usual [1] and simplest form of entry arch [2]. Otherwise there is only one indicator of social status - the size of a house has a straightforward relation to its owners wealth, its 'style' however does not alter.
NOTES:
1: The large entries of these village houses
are not only expressions of importance; but more usually concerned with access for farm equipment and farm animals
stabled on the ground floors.
2: As
aristocratic display they are modest, constituting a refinement of the
local common skills of masonry building and calculation; so similar to the general, and their amplifications of the ordinary so meaningless and
superfluous, they introduce into the practical aims and methods of local
building no extra attractive external meanings that could be separated and easily
copied,
no store of kitsch signs whose superior origin is publically known and could thus be
meaningfully tagged onto the common carcass of ones house as a vulgar claim to taste. An aristocratic
display more akin to a linear increase of quality than a display of style that
could be mined for motifs. ... in
process
.
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LONGAS - IN 1978/80
Longas village is a few miles south of Berdun. At the time of these photos it was semi abandoned and rather isolated at the end of a miles-long track.
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ASSO VERAL - IN 1980 ... in process
On the N slopes of the Aragon valley, W of Berdun. When visited in summer 1980 the village houses seemed abandoned and the village only used to house animals - its circulation spaces were astonishingly completely carpeted with the dried dung-pellets of goats &/or sheep.
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MARTES - IN 1980 ... in process
Martes is SW of Berdun, on the S side of the Aragon valley, where the land begins to rise out of the river's flood plain.
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ARRES - IN 1980 ... in process
Arres village is SE of Berdun, on a steep hilltop on the S side of the Aragon valley. Its barns are where its fields can start, half way between its hilltop and the river.
ARRES
VILLAGE: BARN - E-END WALL (DATE UNKNOWN) A fantastic feat of dry stone walling; unused stones still litter the ground.
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< Return to: VERNACULAR PRAGMATISM - p1: BERDUN
<
AN ARTIST'S PUBLIC-SITE INSTALLATION WORKS
MPROVISED ARCHITECTURE IN AMSTERDAM INDUSTRIAL SQUATS & COLLECTIVESIMPROVISED OPEN-SITE: ("THE NOMADIC COMMUNITY GARDEN")
IMPROVISED VILLAGES: (WANDSWORTH & KEW BRIDGE 'ECO VILLAGES')
ALLOTMENT IMPROVISATIONS - PUBLIC, LEGAL, SOCIALLY INDORSED
TEMPORARY-ARCHITECTURE: ("FRANK'S CAFE" & "SOUTHWARK LIDO")
VERNACULAR - PRAGMATISM & STYLE: (BERDUN VILLAGE BARNS & HOUSES)
"HOME"
- MY LOCATION VIA MASS-PRODUCTS & TASTE - LIV-RM
"HOME"
- MY LOCATION VIA MASS-PRODUCTS & TASTE - HOUSE
"HOME" - MY LOCATION VIA PERSONAL CHOICES
ART - GOTHIC INTO RENAISSANCE INTO EARLY 20thC
ART
- 20thC COLLAGE INTO MASS-MEDIA
GRAFFITI
INTO STREET-ART
KITSCH
CHANCE & DESIGN
.